Drawing on phenomenology and a concern with the politics of form, I approach the theatre event as an experience and seek to open up analysis of how our experiences of theatre function as a reflection of wider trends in engagement with media and society. My doctoral study examined the impact of the rise of the spectacle on contemporary experiences of theatre in Britain and I am now moving forward from this examine the emphasis in 21st century theatre of the experiential, looking in particular at the impact of new media and gaming on interactive or participatory spectatorship in theatre. A part of this discussion of presence in spectatorship is concerned with environmental performance and my own practice reflects this. My recent work I Found this Soil under my Fingernails (2009) explores our experience of soil, growth, decay and the passage of time. While my current focus is upon experiential theatre I am also inerested in politics of theatre, adaptation, intermediality and spectatorship.
Thirty minute conference paper with questions, exploring the nature of experiential theatre performance using Fuerzabruta (2006) as an example. The analysis was framed by discussion of changing concepts of experience a... more >>.
This was an invited paper which addressed the relationship between Agamben's analysis of experience and the rise of the experience economy, and within that context, the potential for engaging the transformative in experiential ... more >>.
Associate editor for the 5th volume of the International Journal for the Arts in Society



